War Gives Us Meaning

War Gives Us Meaning

(MG) I'm currently rereading Chris Hedges War is a Force That Gives Us Meaning. Hedges relentlessly hammers his sobering message home, page after page. His direct, no-nonsense prose resonates with me, and all he has to say about war are things that on a gut level, I already know.
I pray that I might always have the strength to resist the mongers of war, the courage to speak to their lies, and the compassion to see "the other" as human beings, created by a Loving God.

The ethnic conflicts and insurgencies of our time ... are not religious wars. They are not clashes between cultures or civilizations, nor are they the result of ancient ethnic hatreds. They are manufactured wars, born out of the collapse of civil societies, perpetuated by fear, greed, and paranoia, and they are run by gangsters, who rise up from the bottom of their own societies and terrorize all, including those they purport to protect.

Often none of this is apparent from the outside. We are quick to accept the facile and mendacious ideological veneer that is wrapped like a mantle around the shoulders of those who prosecute the war. In part we do this to avoid intervention, to give this kind of slaughter an historical inevitability it does not have, but also because the media and most of the politicians often lack the perspective and analysis to debunk the myths serve up by the opposing sides.
...
Look not to religion and mythology and warped versions of history to find the roots of these conflicts, but to the warlords who dominated the Balkans. It took Milosevic four years of hate propaganda and lies, pumped forth daily over the airways from Belgrade, before he got one Serb to cross the border into Bosnia and being the murderous rampage that triggered the war. And although the war was painted from afar as a clash of rival civilizations, the primary task of Milosevic in Seriba, Franjo Tudjman in Croatia, and the other ethnic leaderships was to dismantle and silence their own intellectuals and writers of stature and replace them with second-rate, mediocre pawns willing to turn every intellectual and artistic endeavor into a piece of ethnic triumphalism and myth.

(MG) The online e-zine Counterpunch has posted excerpts of an essay from Jeffrey St. Clair's recent End Times book addressing the issue of selling a war:

(St. Clair) The war on Iraq won't be remembered for how it was waged so much as for how it was sold. It was a propaganda war, a war of perception management, where loaded phrases, such as "weapons of mass destruction" and "rogue state" were hurled like precision weapons at the target audience: us.

To understand the Iraq war you don't need to consult generals, but the spin doctors and PR flacks who stage-managed the countdown to war from the murky corridors of Washington where politics, corporate spin and psy-ops spooks cohabit.

...

... the Bush team never wanted to present a legal case for war. They had no interest in making any of their allegations about Iraq hold up to a standard of proof. The real effort was aimed at amping up the mood for war by using the psychology of fear.

Facts were never important to the Bush team. They were disposable nuggets that could be discarded at will and replaced by whatever new rationale that played favorably with their polls and focus groups. The war was about weapons of mass destruction one week, al-Qaeda the next. When neither allegation could be substantiated on the ground, the fall back position became the mass graves (many from the Iran/Iraq war where the U.S.A. backed Iraq) proving that Saddam was an evil thug who deserved to be toppled. The motto of the Bush PR machine was: Move on. Don't explain. Say anything to conceal the perfidy behind the real motives for war. Never look back. Accuse the questioners of harboring unpatriotic sensibilities. Eventually, even the cagey Wolfowitz admitted that the official case for war was made mainly to make the invasion palatable, not to justify it.

(MG) Patrick Lang also speaks of the "morality play" modality used to stroke the country to wargasmic fever pitch about Iraq / Saddam:

(Lang) War is not about virtue as opposed to sin. War is about the struggle of opposed interests and wills. To begin this war, a "morality play" atmosphere was generated which led to "war fever" on a massive scale. It was skilfully done by people who thought "they knew best." I hope they are happy with the result of their efforts. The country is only now slowly recovering. It is as though the United States is now in a protracted "de-tox" program.

(Hedges) Lawrence LeShan in The Psychology of War differentiates between "mythic reality" and "sensory reality" in wartime. In sensory reality we see events for what they are. Most of those who are thrust into combat soon find it impossible to maintain the mythic perception of war. They would not survive if they did. Wars that lose their mythic stature for the public, such as Korea or Vietnam, are doomed to failure, for war is exposed for what it is -- organized murder.

But in mythic war we imbue events with meanings they do not have. We see defeats as signposts on the road to ultimate victory. We demonize the enemy so that our opponent is no longer human. We view ourselves, our people, as the embodiment of absolute goodness. Our enemies invert our view of the world to justify their own cruelty. In most mythic wars this is the case. Each side reduces the other to objects -- eventually in the form or corpses.

...

When we allow mythic reality to rule, as it almost always does in war, then there is only one solution -- force. In mythic war we fight absolutes. We must vanquish darkness. It is imperative and inevitable for civilization, for the free world, that good triumph ...

(St. Clair) The Bush claque o

f neocon hawks viewed the Iraq war as a product and, just like a new pair of Nikes, it required a roll-out campaign to soften up the consumers. The same techniques (and often the same PR gurus) that have been used to hawk cigarettes, SUVs and nuclear waste dumps were deployed to retail the Iraq war. To peddle the invasion, Donald Rumsfeld and Colin Powell and company recruited public relations gurus into top-level jobs at the Pentagon and the State Department. These spinmeisters soon had more say over how the rationale for war on Iraq should be presented than intelligence agencies and career diplomats. If the intelligence didn't fit the script, it was shaded, retooled or junked.

Take Charlotte Beers whom Powell picked as undersecretary of state in the post-9/11 world. Beers wasn't a diplomat. She wasn't even a politician. She was a grand diva of spin, known on the business and gossip pages as "the queen of Madison Avenue." On the strength of two advertising campaigns, one for Uncle Ben's Rice and another for Head and Shoulder's dandruff shampoo, Beers rocketed to the top of the heap in the PR world, heading two giant PR houses: Ogilvy and Mathers as well as J. Walter Thompson.

At the state department Beers, who had met Powell in 1995 when they both served on the board of Gulf Airstream, worked at, in Powell's words, "the branding of U.S. foreign policy." She extracted more than $500 million from Congress for her Brand America campaign, which largely focused on beaming U.S. propaganda into the Muslim world, much of it directed at teens.

"Public diplomacy is a vital new arm in what will combat terrorism over time," said Beers. "All of a sudden we are in this position of redefining who America is, not only for ourselves, but for the outside world." Note the rapt attention Beers pays to the manipulation of perception, as opposed, say, to alterations of U.S. policy.

But the goal we seek when we embrace myth is impossible to achieve. War never creates the security or the harmony we desire, especially the harmony we briefly attain during wartime. And campaigns, such as the one in Afghanistan, become starting points for further conflicts, especially as we find that we are unable to root out terrorism or maintain the kind of solidarity that comes in the days just after a terrorist attack.

The chief institutions that disseminate the myth are the press and the state. The press has been culpable since the telegraph made possible the modern war correspondent. And starting with the Crimean War, when the first dispatches were fed by newly minted war correspondents in real time, nearly every reporter has seen his or her mission as sustaining civilian and army morale. The advent of photography and film did little to alter the incentive to boost morale, for the lie in war is almost always the lie of omission. The blunders and senseless slaughter by our generals, the execution of prisoners and innocents, and the horror of wounds are rarely disclosed, at least during a mythic war, to the public. only when the myth is punctured, as it eventually was in Vietnam, does the press begin to report in a sensory rather than a mythic manner. But even then it it [the press] reacting to a public that has changed its perception of war. The press usually does not lead.

Mythic war reporting sells papers and boosts ratings. Real reporting, sensory reporting, does not, at least not in comparison with the boosterism we witnessed during the Persian Gulf War and the war in Afghanistan. The coverage in the Persian Gulf war was typical. The international press willingly administered a restrictive pool system on behalf of the military under which carefully controlled groups of reporters were guided around the front lines by officers. It could have never functioned without the cooperation of the press. The press was as eager to be of service to the state during the war as most everyone else.

Such docility on the part of the press made it easier to do what governments do in wartime, indeed what governments do much of the time, and that is lie.

Posted by Mark Ganzer at 12:31 PM